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Besides
numerous objects, installations and posters, Marijke van Warmerdam
often worked with film installation, using simple, repetitive loops.
Her projects at CCA, “Leap-frog in Kitakyushu” and
her book “Diary 2000” are the examples of how she likes
to react on places and people, more than creating an individual
art work within four walls of a studio which in fact she doesn’t
have. The artist says:
“ I prefer to make my works as loose sand. These are often the result
of invitations for exhibitions, to which I react on the given situation in the
first place. To me this is a much more natural way of working than making works
in the studio, although of course in the end, the image counts most and for all,
whatever cause my works have. The fact that my works gets another meaning in
another context is something I like and want to keep open.” |
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